The Dressmaker costume exhibition at Barwon Park Mansion is a must see for anyone with an appreciation for couture fashion.
Love, Revenge and Haute Couture
– an utterly intriguing and accurate synopsis of this visually stunning film.
Adapted from Rosalie Ham’s bestselling book and featuring over 50 pieces of the costume design work of Marion Boyce and Margot Wilson, this exhibition is a stand-alone highlight of Australian design talent.
Featuring a hand picked wardrobe of pieces worn by Kate Winslet and the cast, this showcase shines a spotlight on the transformative power of fashion as well as the integral process of costume design in character development.
Stepping onto the pebbled driveway, the vision of Barwon Park Manor instantly transports you to another world. Set amongst a golden pastoral landscape and cushioned by elderly pines, the bluestone walls open into a vision of Tilly Dunnage’s country Australia.
Behind it’s double doors, the residents of 1950’s Dungatar come alive in each flutter of chiffon and rustle of moiré silk. We are treated to an up close and personal experience with the fabrics, the processes, the sheer magic of these costumes and their secrets.
Both the film and the exhibition take you on a transformative journey, setting the luxurious designs and opulent fabrics against the dusty Australian landscape.
Artfully staged, the story line of each character can be seen in every stitch, letting you lose yourself in the world of Parisian glamour and dream of what such garments might do for your own story.
Vintage Current talked to costume designer Marion Boyce about her challenges and triumphs working on The Dressmaker.
Starring Kate Winslet and Liam Hemsworth, The Dressmaker Costume Exhibition hosted by the National Trust, is on now at the Barwon Park Mansion in Winchelsea, Victoria.
Make a day of it and treat your friends to a mini road trip of fabulous fashion and style inspiration. Imogen, Anne and I had the most fantastic day complete with Devonshire tea in the converted stables.
Keep an eye out for the Sunday Style session, a 1950s style garden party day, (details TBA) and the perfect opportunity to frock up!
Only 40 minutes from Geelong or1 hr 20 mins from Melbourne, Barwon Park’s 42 room heritage beauty is the perfect setting to truly experience this remarkable showcase of re-created 1950’s Parisian influenced couture.
The Dressmaker costume exhibition is not to be missed!
It may be Autumn in Melbourne already, but we are lucky to sneak in a few lovely days here and there. Provided you bring a cardi, you can enjoy a bit of a brunch in the sun.
The fabulous ladies at Trashy Diva, who I met while last in New Orleans, kindly sent me this wonderful polka dot version of my favourite Trixie Dress the other day. It’s rare that I go down the polka dot vintage dress road, but for Trixie my wardrobe door is always open. This is without a doubt, my absolute favourite dress block in the range they make. I have it in about seven different prints and fabrics, and that still isn’t enough!
The halter neck and shirred sides make it easily adjustable and very forgiving if you don’t fit a ‘perfect’ size. The folded style bust line is super flattering both on larger and smaller busts. In fact I can comfortably say, that if I were only allowed to have one dress style in my wardrobe, this would be it!
The Trixie Dress in Polka Dot and cropped green cardigan from Trashy Diva.
(this is the inadvertent “oops, my head piece is sliding out” pose)
I’m planning on packing all my Trixie dresses for an upcoming tropical jaunt, as not only do they look the business, but they hardly weigh a thing and fold up tiny. This means lots of extra room for all the shopping I plan on doing. And speaking of shopping, if you fancy adding this gorgeous dress or any other of the multitude of spectacular treats from Trashy Diva to your wardrobe, I have a special discount code for you!
Simply enter the code: Kawaii10 in the checkout to get 10% off any orders until the end of May.
Pour yourself a cup of tea and have a little look around their store. Let the love affair begin!
Outfit Details
Dress – Big Polka in ‘Trixie’ by Trashy Diva
Cardigan – from Trashy Diva
Bangles – Op Shop find
Fruity head piece – A DIY project of mine
Shoes – Vivienne Westwood for Melissa “Lady Cherry”
Since 1997 I have been trying to get this hair cut. Like many of you I have all kinds of pictures, illustrations and even original cutting diagrams. So the questions is, after such a very long time, why have I never been able to get this cut to happen correctly?
Although I’ve had some fabulous hairdressers over the years, I now understand what the difference is. It is all in the training. The modern hairdressing schools teach a very different style of cutting than was taught in years past. There is a myth out there that hairdressers all know how to do the same thing, and nothing could be farther from the truth. They all have different skills and different specialties.
For instance, the hair styling that I provide in my Melbourne based Vintage Hair and Makeup company, is far more complex and time consuming than what most hairdressers have ever tackled. It it what I live and breath, as well as requiring a very different skill set than those skilled colourists for instance. But I don’t cut, I don’t colour.
Last week I was recommended to a career hairdresser (Maggie Timms) who has had over 40 years experience and was taught the Vidal Sasson way of precision cutting. She has an excellent understanding of the finished styling I want to achieve, and although this cut isn’t asked for by her day to day client, the core requirement of specialty precision cutting remains. In no time at all, (and without any diagrams needed), she snipped away and created my 6inch middy hair cut.
It is perfection.
Although my regular colourist is also an excellent cutter, the difference between the close approximation of a 1940s or 1950s style hair cut I usually sport and this new cut, has made an incomparable difference. How can I tell? This cut looks perfect set or unset, it brushes out into so many different styles with the one set, and it has cut my rolling time by more than half.
In a nutshell, if you’re looking for the key to a successful Middy Cut, it isn’t in bringing pictures and diagrams, but in finding a long term hairdresser experienced in precision cutting.
What do you think?
What are the biggest problems you have when trying to explain your hair cut requests?
