Occasionally, only once in a while, an album comes along that is everything you dreamed of and more. An album that gives you the familiar rush of a teenage fan who plays each track over and over, never tiring of the sound. That album for me is the latest offering from Nico Duportal and his Rhthym Dudes – “Going Back to Ya”.
A good friend of mine introduced me to Nico’s sound via a phone conversation, where his enthusiasm was so strong that he sat and attempted to play me several tracks over the phone. Now while the sound quality was lacking with this method, it did nothing to dull the passion in his voice. As he said to me, “You know when music just makes your heart sing?” and I sure did.
Since getting my hands on a copy of this album two months ago, it it a rare day that I have not listened to it or at least one track. I can honestly say that it is simply impossible for me to pick a favourite tune. Every time I think I’ve landed on one, the next one comes around and I’m torn. Nico’s sound (in very technical music terms), is to die for! His voice is rich, lush, gritty and has a hefty does of ‘come hither’ mixed in. A sound known to my friends and I as “swoon worthy”. Officially you’d have to categorise the sound as Jump Blues or more commonly, Blues (but I like mine better).
The recording quality of the album is spot on for the feel of both the era and the mood. That wonderful, less than perfect sound you’ll remember from 1950’s produced vinyl albums. It’s funny because when I hear this album on my all too modern iPod, all I can see in my head is a great black and white, lo-fi clip of girls screaming for their idol. It’s that kind of good.
Here is who should buy this album– Guys who want to get a girl into their arms for a dance then a drink afterwards, Girls who like to sing in their cars, Babyboomers who want to remember their heyday, Aspiring blues singers who want to hear from a modern artist just how its done, Women who want the perfect soundtrack to their 50’s fantasies, Musicians for the appreciation and anyone who thinks that music these days has gone to the dogs.